And the Oscar goes to...

Performance by an actor in a leading role
Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax)

Performance by an actor in a supporting role
Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage)

Performance by an actress in a leading role
Marion Cotillard in “La Vie en Rose” (Picturehouse)


Performance by an actress in a supporting role
Tilda Swinton in “Michael Clayton” (Warner Bros.)

Best animated feature film of the year
“Ratatouille” (Walt Disney) Brad Bird

Achievement in art direction
“Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
Art Direction: Dante Ferretti, Set Decoration: Francesca Lo Schiavo

Achievement in cinematography
“There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit

Achievement in costume design
“Elizabeth: The Golden Age” (Universal) Alexandra Byrne

Achievement in directing
“No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen

Best documentary feature
“Taxi to the Dark Side” (THINKFilm) An X-Ray Production
Alex Gibney and Eva Orner

Best documentary short subject
“Freeheld” A Lieutenant Films Production
Cynthia Wade and Vanessa Roth

Achievement in film editing
“The Bourne Ultimatum” (Universal) Christopher Rouse

Best foreign language film of the year
“The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production
Austria

Achievement in makeup
“La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald

Achievement in music written for motion pictures (Original score)
“Atonement” (Focus Features) Dario Marianelli

Achievement in music written for motion pictures (Original song)
“Falling Slowly” from “Once” (Fox Searchlight)
Music and Lyric by Glen Hansard and Marketa Irglova

Best motion picture of the year
“No Country for Old Men” (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production
Scott Rudin, Ethan Coen and Joel Coen, Producers

Best animated short film
“Peter & the Wolf” (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production
Suzie Templeton and Hugh Welchman

Best live action short film
“Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) A Karé Production
Philippe Pollet-Villard

Achievement in sound editing
“The Bourne Ultimatum” (Universal)
Karen Baker Landers and Per Hallberg

Achievement in sound mixing
“The Bourne Ultimatum” (Universal)
Scott Millan, David Parker and Kirk Francis

Achievement in visual effects
“The Golden Compass” (New Line in association with Ingenious Film Partners)
Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood

Adapted screenplay
“No Country for Old Men” (Miramax and Paramount Vantage)
Written for the screen by Joel Coen & Ethan Coen

Original screenplay
“Juno” (Fox Searchlight)
Written by Diablo Cody

That's all folks, per no parlar de lo justeta que ha sigut la gala, que més que els Oscars semblava que entreguessin els premis del meu barri; del més que dubtós gust d'alguns per vestir-se, si ja ho dic jo que hi ha qui no es mira al mirall abans de sortir de casa; de lo nyonyes que han sigut les cançons nominades, crec que se m'ha disparat el sucre; o de les visites al doctor Troy a pel 3x2 en botox de més d'un.